"you say it best - when you say nothing at all." from the song When you say Nothing at all written by Paul Overstreet and Don Schlitz.
"It's the fish John West rejects that makes John West salmon the best" plus new award winning advert campaign without a voice over but with a lyrical music background.
Two jumping off points which vaguely illustrate one of the core tenets of my poetry writing process. Not that I have a conscious process - I've never been that organised. But it sounded almost like I knew what I was talking about there so I thought I'd roll with it ![]()
Less is more - is another one.
There we go - three jumping off points.
This is beginning to head into Spanish Inquisition territory - I must try and reign myself in.
Obviously I have a very different 'writing head' on when I am blogging as opposed to my 'poetry head' - while readers may well yearn for the less is more approach in my blogging, it is a reflection of my conversational style and that is characterised by long garbled sentences, not enough pauses for breathing and frequent apparently wild leaps into subject areas that only make sense much much later.
Now what was I meaning to say? Oh yes - poetry.
There are a number of reasons why I write short poems.
1. I get bored easily.
2. Short poems seem to deliver their essence to the reader in a quick concentrated HIT . I like to think of my poems as injections rather than ointments. Stab, squeeze and leave the reaction up to the body the poem has penetrated.
3. Short poems can be packaged in a pleasing way.
The longer a poem gets the more straggly and unwieldy it becomes on the page. For my comedy poems that may not matter too much. But when I write a 'serious' poem I am often very concerned with the overall 'howness' of it. How does it lie in its space? Is it surrounded or engulfed? How does the title relate spacially as well as conceptually? Does it need something below it as above?
A small neat poem when properly presented can be satisfying in itself - even without reading the words.
Like a well presented dish of food - for me poems (the best of them, the nouvelle cuisine of them) should delight the eye before the other sensory organs.
There are other reasons too - but I'm getting bored now so I'm going to stop with this list.
When it boils down to it (and that is another good analogy I didn't intend at first but now like and won't remove, so you can tell this isn't anywhere near my 'poetry' head on) I have often started with a longish (for me that is more than 10 lines of more than 15 words each) poem, pruned and more than decimated it (does it annoy you as much as it does me when people use that word without any deference to its pure mathematical meaning?) to realise that the final poem is far far better than the wordy original.
My very shortest poem is entitled Loss. I think it illustrates my entire blog post better than all the words already said. See what you think.
Loss.
Gone
one.

